Martin will give you a much better answer, but in the meantime...
You can grade through a matte, inside or outside, and you can generate the matte from a bezier shape and/or a number of different kinds of keyers. The keyers/shapes can then be combined or subtracted etc
Your matte source can be a different layer and the inside source can be the raw image, or a different layer.
You can track the shape - the 'area tracker' is superb.
And you can have a lot of layers... (with resize, cropping, grain, blurs, sharpen... tools too)
The AAF and 'Lens' workflows look pretty cool. However, I've only used it for standalone grading inside Avid.
As an alternative to round-tripping to Resolve this is hands down better for me as it means the grade doesn't have to wait for picture lock. (my picture's not usually locked until it hits air)
Downside is lack of comparison to other shots (other than stepping through to them, which is quick if they are close) and relational grading like Symphony. (Oh and getting facilities / prodcos to stump up for anything extra.)
I reckon the 'soft clip to legal' real-time LUT is worth the $995 on its own ;-)
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Posted by: trevatpc@yahoo.co.uk
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