I know the Symph CC doesn't behave in the same way as 21st Century
equivalents - the individual adjustments are not completely discrete.
Its lack of inbuilt windows/vignetting etc is woeful and its
"Secondaries" are so basic they're of little use.
However, I have satisfactorily graded many programs with it over the
last 13 years at a time scale my clients like. Those who are selective
enough to want a more precise grade pay to take the sequence out to a
colourist on Resolve or Baselight. The integration and speed of
Symphony's CC toolset is still completely unmatched in the industry.
But I would like the Baselight plugin to escape its AVX shackles...
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