Thursday, March 20, 2014

Re: [Avid-L2] Symphony CC mechanics

 

Does it not concatenate the processing?  If not, why not?

T. 

Sent by magic over t'interweb


On 20 Mar 2014, at 11:22, Steve Hullfish <steve4lists@veralith.com> wrote:

It processes color in Tab order.

On Mar 20, 2014, at 5:50 AM, Paul Shields <paulshieldsavidl@btinternet.com> wrote:

 

If we put the "state of the art 1998" arguments to one side, does anyone
have any in depth understanding of how the Symphony CC tools process
colour - and more importantly in what order.

I use it mainly by instinct - tend to start with the Hue Offsets with a
little help from the Curves if required followed by some Levels action
and going into a Prog Segment effect or CC Effect on top if the self
shooter really needs a slap. But, sticking with Source Segment mode, in
what order are the various adjustments applied? I'm thinking
specifically of the Hue Offset wheel vs the colour Curves. I'm assuming
there must be a serial/linear nature to how the adjustments are applied
so, if I swing the midtones over to blue in the colour wheel, would a
blue curve shift back be applied downstream of this or does it happen
first? The Secondaries appear to be last in line so are the corrections
applied from left to right down the tabs?

Please feel free to smack me down for complete ignorance of how all the
maths works but I'm interested in any under the hood knowledge. If
anyone can explain how I could ever use the Channels tab for anything
other than breaking the picture I'd also be very interested and will
send doughnuts to anyone who can explain how the mysteries of the
Fluidmotion controls work.

Paul Shields
Manchester UK


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