Sounds like the quickest thing is start over cutting. It is a short so how many shots could it be. If the imports don't indicate clearly which prores file to look for the shot on and if the imports didn't carry over the time code it's tedious. Sometimes looking for the quick fix takes longer than the brute force approach of over cutting. Then again perhaps I don't know the whole picture here.
--- In Avid-L2@yahoogroups.com, Benjamin Hershleder <Ben@...> wrote:
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>
>
> Hey gang,
>
> I'm trying to help a friend, and am passing this message along.
> I gave him my 2¢ worth of advice, but I know there are bigger brains on this list.
> Any thoughts appreciated . . .
>
> Original Message:
> I'm finishing a short that was started by another editor and I've just found out that he transcoded the Alexa files and imported them. Now I have no idea how to get my sequence to recognize the original pro-res files. I've searched the Avid forums with no joy, and I need to conform for the colorist who wants it tomorrow, any help would be awesome.
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>
> Cheers,
>
> B
>
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