I've never seen the default motion adapters in mixed rate material be fluid motion. Perhaps I've never looked closely. IIRC the only way to look at what the automatic motion adapters are doing is to promote the motion effect and look at the settings in the box. From your post it sounds like they are coming up in fluid motion but that is not what I've experienced in the past. Has something changed about this behavior or is it tied to the motion effect render preferences? I would think fluid motion, as powerful as it is sometimes, would be a bad default given the chance for artifacts when all you want it 2:3 pulldown added. I'm surprised that would have to be manually changed.
--- In Avid-L2@yahoogroups.com, Agustin Goya <agustingoya@...> wrote:
>
> And If I`m not mistaken, if you render it as interlaced (instead of
> default fluid motion) you will end with a prefect 3:2 pulldown.
>
>
> Agustin Goya
> WANCAMP | POST
> +54-11-6545-2427
> http://www.wancamp.com.ar/
> http://www.linkedin.com/in/agustingoya/
>
>
> On Tue, Oct 15, 2013 at 4:26 PM, Dom Q. Silverio <domqsilverio@...>wrote:
>
> > **
> >
> >
> > You can open your sequence in a 59.94 project, mixdown and then export.
> > The motion effect will be baked during the mixdown process.
> >
> > Dom Q. Silverio
> >
> >
> > On Tue, Oct 15, 2013 at 3:23 PM, <pepe.serventi@...> wrote:
> >
> >>
> >>
> >> II was wondering how people are doing file based delivery to the
> >> networks. I'm using XDCAM MXF OP1a out of the Avid. This has been working
> >> fine, but now I have a show that's 23.98 and have to deliver 59.94. The
> >> only work around I can see is to do a cross convert out of the symphony to
> >> HDCAM SR, then ingest that back into the Avid. Was wondering if there was
> >> another way.
> >>
> >>
> >>
> >>
> >
> >
>
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