Of course this has been mentioned before but maybe it's time to remind Avid of the obvious, at least to those of us who concentrate on finishing. If Baselight or Resolve color correction was integrated into the Relational color correction, that Avid already has the metadata hooks for, there would be no reason to mess around with all the tedium of round tripping etc... Avid would own the vast majority of finishing work of broadcast/cable television. Last minute changes are the norm for all my work and the ping ponging in and out of Avid is a major time waster so I stick with symphony color correction. If I had fully integrated baselight or resolve it would be a no brainer for a workflow.
--- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@...> wrote:
>
> It's so frustrating when you can see how it could be better - if they could
> find a way to enable Baselight to operate within the context of Colour
> Correction mode - sharing relational clip details, proper previous/next
> shot etc - then it would be a great solution. Symphony would be a great
> value addon if it had that ability and were bundled with Baselight (as it
> is with BCC).
>
> Seeing as Avid seems uninterested in giving us a useful update on
> Symphony's colour tools, this seems like the best way forward, but I'm not
> holding my breath.
>
> Dylan Reeve
> http://dylanreeve.com/
>
>
> On Tue, Sep 3, 2013 at 5:56 AM, <tcurren@...> wrote:
>
> > **
> >
> >
> >
> >
> > --- In Avid-L2@yahoogroups.com, <avid-l2@yahoogroups.com> wrote:
> >
> > I think Avid has sufficiently let it be known that they really aren't
> > interested in any type of high quality finishing.
> >
> >
> > Agreed. :-(
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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