Oh he is and he's the one who figured out double clicking in the timeline loads the clip into the source monitor. It's a lot to be expected of someone who has never used Resolve before and of course has never been sent to a class to have a fighting chance.
--- In Avid-L2@yahoogroups.com, mike parsons <mikeparsons.tv@...> wrote:
>
> My professional advice is to have a sick day.
>
> Let the guy who did all the transcodes sort it out.
>
> Mike
>
>
> On Thu, Jul 18, 2013 at 7:31 AM, johnrobmoore <bigfish@...> wrote:
>
> > **
> >
> >
> > Well this Resolve is so under powered it won't even play the sequence of
> > DNX 220 media in real time even with the 2nd Quadro card. Given they
> > decided to work from DNX and not the Red Raw files I really don't see the
> > big advantage to Resolve on this project. They linked ama to Red Epic files
> > in Avid then aaf'd sringouts of the reels to Resolve so Resolve could do
> > the transcode to DNX, for some reason the AE station would line ama to Red
> > but not transcode. My station does. After the transcodes were done then
> > back to avid to relink the sequence to the transcodes and send a new aaf to
> > Resolve of the entire sequence. Now color correction and render out the
> > individual clips. Oh and then for some reason some of the rendered out
> > colored clips have different time code from the original. I'm told some are
> > off a minute or so, not consistent so I'm told. If your head is spinning to
> > much after all that the frame skipping error was detected in Resolve. I
> > tried my own test to link to the Red Raw files ama on my SNDX but most of
> > the clips are an hour plus lone and when I get one reel to ama mount volume
> > many of the reels will mount the ama volume but then I get an error when
> > trying to view them in the source monitor. I've got 14 GB of ram on a mac
> > pro 3.1 8 core running SNDX 6.0.1 and I get all this grief just trying to
> > link to the raw files ama. Oh well I really think I'd be done if we did
> > this in Avid and nobody at home would notice the noise reduction they are
> > using in Resolve.
> >
> >
> > --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> > >
> > > Don't you wish now that avid had been updating the color corrector all
> > these years? If we have to suffer with going out to another system to
> > finish, then it doesn't matter where you offline. FCPX, Premiere, heck even
> > Vegas.
> > >
> > > --- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@> wrote:
> > > >
> > > > So today on further analysis it turns out the skipped frames are
> > actually in the Resolve timeline. When we go to sections with a skip we can
> > see the source time code actually jump one frame at the skip. This makes
> > sense giving there is a skip but this are within clips on the timeline.
> > There is no edit point reflected in the clip that would account for a 1
> > frame shift. Also if we find the clip in the media pool it is clean with no
> > frame skip and if we cut that into the show timeline on an upper track
> > there is no skip there.
> > > >
> > > > The skipping clips came in as an aaf from Avid and it's not all the
> > clips just every so often. I can't help still thinking there is some
> > misinterpretation of 29.97 to 30 or vice versa going on. As far as I know
> > all the settings involved in this are set to 29.97 or perhaps 59.94. Kinda
> > frustrating.
> > > >
> > > > --- In Avid-L2@yahoogroups.com, John Moore <bigfish@> wrote:
> > > > >
> > > > > This one hour show was offlined in Avid using downconverts from
> > multiple Red Epics. The finished offline sequence was decomposed in avid
> > and then stringouts of the reels were made into timelines to facilitate
> > exporting aafs of the string outs linked to the origial R3D files. This
> > was done to transcode the need footage to DNX 220. Apparently the AE could
> > not get his Avid 6.x to do the transcodes from ama linked R3D files. My
> > similar system does but his doesn't. So the transcodes were done in
> > Resolve. I'm not sure if those transcodes were then linked back up in Avid
> > and a new aaf of the timeline was sent to Resolve for color correction but
> > that is my guess at this point. The problem we are seeing now is that the
> > .mov in ProresHQ exported from Resolve of the final show is skipping frames
> > ever minute or so. These are a complete skipped frames that I have
> > confirmed are not skipped on the original R3D files. My gut feels like
> > something is
> > > > > going on between 29.97 and true 30. The footage was shot 29.97P but
> > I'm wondering if in one of the myriad of transcodes there could have been
> > some link in the chain that was trying to in essence frame rate convert and
> > thereby caused the skipping frame every so often. I stepped through field
> > by field or Psf by Psf to be more accurate and it's definately skipping
> > over a complete frame. Nothing like a frame being doubled up it's a
> > missing frame that exists in the original. Anybody seen this type of
> > behavior? I was not involved in the workflow so I'm trying to back
> > engineer something that hasn't really been engineered from the start. TIA
> > > > >
> > > > >
> > > > > John Moore
> > > > > Barking Trout Productions
> > > > > Studio City, CA
> > > > > bigfish@
> > > > >
> > > > > [Non-text portions of this message have been removed]
> > > > >
> > > >
> > >
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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