But in four years' time there's an iPhone shooting 4K natively in some H.265 flavor, and anything less will be as passé as PAL.
K
On 7. mars 2013, at 22:45, Tony Quinsee-Jover wrote:
> There will always be oddities of that type. Personally I'd have preferred to shoot the iPhone clean and done all the film fx in post - more control that way.
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> T.
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> Sent by magic over t'interweb
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> On 7 Mar 2013, at 21:43, "Terence Curren" <tcurren@aol.com> wrote:
>
>> <<http://www.macrumors.com/2013/02/24/documentary-partially-shot-on-iphone-wins-oscar/>>
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> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
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