Undoubtedly, it depends on what you're doing. It can be hard to find a way to use relational CC in independent, low budget, verite documentary. Things are changing ever time you blink. But I can certainly imagine a lot of other situations where the lighting is more controlled that it would make a lot of sense.
Shirley
-----Original Message-----
From: johnrobmoore <bigfish@pacbell.net>
To: Avid-L2 <Avid-L2@yahoogroups.com>
Sent: Tue, Mar 12, 2013 6:44 pm
Subject: [Avid-L2] Re: Avid Symphony Colour Correction feature requests
Not having to look at every shot is the double edged sword of ant relatioinal
color correction. While you might not see every shot effected right away you
will eventually see the shots watching down the timeline. This is why I augment
the clip names to "group" similar shots. Of course there are the occassional
iris shift requiring a break of the color correction link but I've found the
speed gain to outway the risks. I will admidt it's an aquired taste but after a
while it becomes second nature.
--- In Avid-L2@yahoogroups.com, "Scott" <switthaus@...> wrote:
>
> Now Roger. That would be not a "professional" thing to say! :-)
>
> So Crisp, are you saying you would want to be color correcting clips you are
not even looking at by this "grouping" feature? Sounds a bit risky to me.
>
> --- In Avid-L2@yahoogroups.com, Roger Shufflebottom <rogershuff@> wrote:
> >
> > 2) Metadata . . . sounds almost FCPXish.
> >
> >
> > Â
> > With Best Wishes,
> > Roger Shufflebottom
> > +44 7973 543 660
> >
> >
> > >________________________________
> > > From: crispinmholland <crispinholland@>
> > >To: Avid-L2@yahoogroups.com
> > >Sent: Tuesday, 12 March 2013, 13:27
> > >Subject: [Avid-L2] Avid Symphony Colour Correction feature requests
> > >
> > >
> > >Â
> > >1. I would like to be able to save a colour correction from a shot in the
timeline by dragging it to a bin - and the ICON for the saved effect to be a
tiny pictorial version of the frame that it came from.
> > >
> > >2. introduce an extra category for relational colour correction - in
addition to 'tape', 'master clip', 'subclip', 'clip name' - and call it
something like 'CC groups' or even 'bin'. This would enable you to grade MUCH
BETTER and MORE QUICKLY by grouping together shots which have the same set up as
each other (without having to resort to changing clip names). In an ideal
scenario, the Avid would be able to 'group' these clips automatically (based on
shot content) - OR assist you to group them yourself. The icing on the cake
would then be for the Avid to then feed back to the operator how many shots you
are grading at any one time - and even show you where the 'grouped' shots are in
the timeline.
> > >
> > >These things would improve my grading life a great deal.
> > >
> > >Why does the product evolve so slowly? It's hardly changed since I first
used it in 1995. Maybe that's why it's survived, I don't know. There are so many
little things that could be improved.
> > >__________________________________________________________
> > >Crispin Holland, Editor/Director, CrispTV Ltd - www.crisptv.co.uk - 07711
069 100
> > >Online editor on BAFTA winning 'Derren Brown - The Experiments'
> > >Musical Performer on World Cup Song: www.crisptv.co.uk/pop
> > >
> > >
> > >
> > >
> > >
> >
> > [Non-text portions of this message have been removed]
> >
>
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