Interesting stuff re: 5D. Is there a program that could look at say several hundred clips and yield info on frame rates, resolution, etc. so I can sort them before bringing them into Symphony. I recently got a hard drive full of clips with groups of different frame rates, different aspect rations, different resolutions, and of course, different audio parameters.
Videospec http://videospec.free.fr/english/ does it but displays the clip info in a horizontal format, but hey, its free. Is there anything else like this which can sort them by defined parameters?
--- In Avid-L2@yahoogroups.com, Lou Wirth wrote:
>
> Thank you for that. I was not aware of this specific workflow.
>
> Lou
> On Jan 22, 2013, at 12:14 PM, Mark Spano wrote:
>
> > How did you bring the footage in? Because for 5D shot at 23.976p, there is
> > only one way to bring it into a 29.97 project the correct way.
> >
> > AMA link to 5D footage
> > Open bin column FIELD MOTION
> > Change each clip one by one to PROGRESSIVE
> > Transcode.
> >
> > Not setting the FIELD MOTION column to PROGRESSIVE will result in awful
> > looking stuff.
> > Setting the FIELD MOTION column to PROGRESSIVE will result in proper 2:3
> > pulldown and life is peachy.
> >
> > On Tue, Jan 22, 2013 at 3:06 PM, Lou Wirth loutv@...> wrote:
> >
> > > Shot with a 5D
> > > On Jan 22, 2013, at 11:49 AM, Jay Mahavier wrote:
> > >
> > > > Can you provide some information on the model of cameras? Maybe the one
> > > shooting 24fps is doing 24/30 and adding pulldown like a 2224 pattern and
> > > that is somehow being converted back to 24 thinking it 2323. Or some crazy
> > > thing. But more info would be good.
> > > >
> > > > jay
> > > >
> > > > On Jan 22, 2013, at 1:44 PM, Terence Curren wrote:
> > > >
> > > > > You definitely went the right way unless you have to deliver 24.
> > > Adding frames to 24 is much smoother then taking frames out of 30.
> > > > >
> > > > > Now, why you are getting jittery footage is another issue. It should
> > > be very smooth. When you look at the motion effect editor for one of the 24
> > > frame clips in your 30 frame timeline what do you see? It should show you
> > > the source is progressive and the output is film with a 2:3 pulldown added.
> > > > >
> > > > > If it shows that and the footage is jittery (not a very illuminating
> > > description), you might try changing the output to interlace and see what
> > > happens.
> > > > >
> > > > > --- In Avid-L2@yahoogroups.com, Lou Wirth wrote:
> > > > >>
> > > > >> Hi
> > > > >> I have a project starting today with two cameras shooting. One cam
> > > shot 24fps and one shot 29.97. I made the project 29.97 but the 24fps
> > > footage is a bit jittery. Should I have gone with a 24fps project and
> > > transcoded the 29.97 to the other rate? Which option would yield the best
> > > quality as one of the frame rates has to change?
> > > > >>
> > > > >> thanks
> > > > >>
> > > > >> Lou
> > > > >> Lou Wirth Productions
> > > > >> 500Tamal Plaza, Suite 522
> > > > >> Corte Madera, CA 94925
> > > > >> www.louwirth.com
> > > > >> 415-924-9411p
> > > > >>
> > > > >
> > > > >
> > > > >
> > > > >
> > > > > ------------------------------------
> > > > >
> > > > > Search the official Complete Avid-L archives at:
> > > http://archives.bengrosser.com/avid/
> > > > > Yahoo! Groups Links
> > > > >
> > > > >
> > > > >
> > > >
> > > >
> > >
> > > Lou Wirth Productions
> > > 500Tamal Plaza, Suite 522
> > > Corte Madera, CA 94925
> > > www.louwirth.com
> > > 415-924-9411p
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> > > ------------------------------------
> > >
> > > Search the official Complete Avid-L archives at:
> > > http://archives.bengrosser.com/avid/
> > > Yahoo! Groups Links
> > >
> > >
> > >
> > >
> >
> > [Non-text portions of this message have been removed]
> >
> >
>
> Lou Wirth Productions
> 500Tamal Plaza, Suite 522
> Corte Madera, CA 94925
> www.louwirth.com
> 415-924-9411p
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
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