Re: [Avid-L2] Fixing goPro

Well, if you color code all of the gopro footage in the bins, then turn on source color in the timeline, you'd see all of the gopro cameras. Then you could select them in fairly large batches - with control/command click - and apply the triple effect to all of those shots at once. Maybe you could do the entire concert in one swoop, but even if you selected a quarter of the gopro shots, applied the three effects, and did that three more times, you'd be done pretty quickly.

Symphony can apply COLOR to entire "tapes" but that still means doing it several times (for each camera and "take" of each camera) and doesn't address the other effects you want to apply.

Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"

On Jul 5, 2012, at 6:29 AM, bouke wrote:

> Here's the deal:
> I've shot a concert (classic music) with 3 bread an butter cams, and 9
> GoPros.
> Now editing multicam, which is jolly good fun.
> However, I don't know why, I see a slight quality difference between the
> GoPros and the other cams.
> So, i want to color correct, reframe and mask the GoPros.
> All doable in Avid, but after the multicam edit, I end up with about 2000
> cuts, and I don't want to drop 3 effects on each and every shot...
> I could render out the source files to new files and relink to that, but
> that would mean 9 times the render time / file size,
> and no way to step back on decisions.
> Can Symphony handle this kind of thing? Resolve?
> Other options?
>
> Bouke
>
> VideoToolShed
> van Oldenbarneveltstraat 33
> 6512 AS NIJMEGEN
> The Netherlands
> +31 24 3553311
> www.videotoolshed.com
>
>



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