recurring on the original question: get all material in 1080i 25 (1080 50i) - as everybody should know by now psf is just a technical term for a flavor of progressive.
Aside: I recommend to shoot in true "i", that is not "psf".
Elaboration: I'm doing a lot of stuff cross frame.rate borders and transferring ("true") 25p to 29.97 ("whatever") is a digression of quality. Imagine you map 25 fps to 30 (ok, 29.97, we can skip this here), to 30 fps - how would a machine possibly do this? Repeating every 5th frame? Motion adapt a sequence of 5 frame to create a 6th frame? That is theoretically talking psf. But if we are talking interlaced there is much more in the cadence a machine can take to spice in the additional information.
Since your initial delivery is 25 and the second will be 29.97 if possible go for an interlaced recording.
my 2¢
Jo
On Jul 3, 2012, at 6:32 PM, Jeff Hedberg wrote:
> We will have to deliver 59.94 1080i for US broadcast.
>
> All shooting is being done @ 25 fps.
>
> Our intention is to rough cut and finish in 25 and lastly convert to 59.94.
>
> Jeff
>
> ------------------
> Jeff Hedberg
> Union Editorial
> 575 Broadway
> 6th floor
> New York, NY 10012
>
> On Jul 3, 2012, at 12:13 PM, jeffsengpiehl wrote:
>
>>
>> what is the deliverable on this project?
>>
>> JDS
>> --- In Avid-L2@yahoogroups.com, Jeff Hedberg <jeff@...> wrote:
>>>
>>> Hi,
>>> Usually I request my dailies at 23.98 pfs because we rough cut and finish at 23.98 and then turn the final master to 59.94 for broadcast.
>>>
>>> However, I've got a production company shooting overseas at 25 - and want to make sure I request my dailies properly.
>>> Would I refer to the frame rate as 25 pfs also? Or would I say 25P? (I'm pretty sure you all don't have to deal with anything like the 24 vs. 23.98 that we do here - but I don't want to mess up)
>>>
>>> Thanks,
>>> Jeff
>>>
>>> ------------------
>>> Jeff Hedberg
>>> Union Editorial
>>> 575 Broadway
>>> 6th floor
>>> New York, NY 10012
>>>
>>
>>
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