Cut your stills alternating on V2 & V3 with an overlap of how long you want your push off to be. Add your sapphire effects and zooms on your stills. Then use a 3D warp on each shot to key them over the background. Then using keyframes in the 3D warp, move one off and the next one on.
If they are going to be the same time, you would build two stills with the moves, then copy those to the clipboard and cut them in the rest of the way. Then step inside and replace the stills.
--- In Avid-L2@yahoogroups.com, Brendan McCullough <brendan.mccullough@...> wrote:
>
> You could do your push using 3D Warp, then on a higher track, duplicate the
> transition area from V1/2, step in, and replace with black video and white
> video, submaster, and then add a matte key.
>
> Note that I said nothing about that being elegant.
>
>
> Brendan McCullough
> video editing • post-production
> (267)-536-9821
> brendanmccullough dot com <http://www.brendanmccullough.com>
> @thisisbpm <http://twitter.com/thisisbpm> on twitter
> LinkedIn profile <http://www.linkedin.com/in/brendanmccullough>
>
>
>
> On Thu, May 24, 2012 at 10:54 AM, jesseg132001 <jesseg132001@...>wrote:
>
> > **
> >
> >
> > Thanks Brendan. Apparently no BCC installed on these edits.
> > Anyway to do without? We have the stock Avid and Sapphire 3.
> > I know I could keyframe but that's too labor-intensive for the amount of
> > times this needs to happen in the series. Thanks for your help.
> >
> >
> > Brendan McCullough wrote:
> > >
> > you'll probably need a matte key layer so the background
> > > doesn't move with it. Try doing your push with one of the BCC transition
> > > effects (I'm not in front of an Avid and I don't remember which one to
> > use
> > > off the top of my head), then dupe that transition onto the next video
> > > track, turn on the effect's alpha only output, then add a matte key
> > effect.
> > >
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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