This IS the Avid L2: Re: [Avid-L2] Re: Baselight Plug in for FCP

according to tweets they'll be demoing it with the artist color next week.

_______________
Knut A. Helgeland
mailto:Knut@Toxic.no
_______________

Den 11. apr. 2012 kl. 00:56 skrev "Terence Curren" <tcurren@aol.com>:

> The next question would be can use a panel with it?
>
> --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@...> wrote:
>>
>> As a point of reference I've added a DeckLink SDI (US$300) and NVidia
>> GTX580 3GB (US$650) to my Z800 to get it up to scratch on Resolve (plus the
>> license cost obviously). Also an Avid Artist Color panel (US$1500). That's
>> alongside my Avid DX HBA card, FX3800 and 10Gb ethernet - In doing so, of
>> course, I've also made my Z800 no longer an Avid certified system (although
>> with no obvious ill effects yet).
>>
>> And of course the workflow from Avid to Resolve is disruptive and
>> potentially problematic (unlike grading directly in the timeline with
>> Symphony, or potentially Baselight).
>>
>> Obviously we've just made this investment to make Resolve a usable tool for
>> us, but I'll still be keeping a close eye on what FilmLight is doing with
>> this.
>>
>> Dylan Reeve
>> http://dylanreeve.com/
>>
>>
>> On Wed, Apr 11, 2012 at 8:33 AM, blafarm <blafarm@...> wrote:
>>
>>> **
>>>
>>>
>>> Admittedly, without knowing any of the specifics regarding the capability
>>> of this MC Baselight plugin -- and solely within the context of a
>>> BMD/DaVinci-based solution -- $1,000 (US) would be a very acceptable
>>> price-point.
>>>
>>> The DaVinci Software product is $995, the DeckLink Extreme is $900 -- and
>>> then you may have to factor-in the cost of a dedicated computing platform
>>> and associated hardware (multiple graphic cards, computer monitors, program
>>> video monitor, scopes ...).
>>>
>>> Of course, this assumes you are not (or cannot) load both the NLE and
>>> DaVinci applications/hardware on the same computing platform -- which can
>>> be especially challenging from a PCIe-slot point-of-view -- and is flat-out
>>> impossible on a laptop workstation.
>>>
>>> Larger facilities will undoubtedly require a dedicated CC room(s) -- but
>>> regardless of workflow, there's something to be said about providing a
>>> professional caliber CC toolset on individual workstations (desktop or
>>> laptop) -- especially if Baselight offers some type of export feature which
>>> can migrate offline CC decisions to a dedicated full-up Baselight CC room.
>>>
>>>
>>> --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@> wrote:
>>>>
>>>> Presumably around $1000 - that was FCP version cost.
>>>>
>>>> Sent from my mobile
>>>> On Apr 11, 2012 5:49 AM, "Terence Curren" <tcurren@> wrote:
>>>>
>>>>> **
>>>>>
>>>>>
>>>>>
>>>>> Any idea of cost?
>>>
>>>>>
>>>>> --- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@> wrote:
>>>>>>
>>>>>> Very good news.
>>>>>>
>>>>>> Finally, the option of a respectable CC plugin that "lives" inside
>>> of MC
>>>>> and doesn't require "exiting" the application -- or, for many users,
>>>>> additional hardware (DeckLink Extreme).
>>>>>>
>>>>>> As much as we'd all like to see it -- it's hard to imagine how a 3rd
>>>>> party, timeline-based, CC plugin would be able to work in a "source
>>> side"
>>>>> manner (Symphony) -- but I guess life is full of compromises.
>>>>>>
>>>>>> It will be interesting to see if BMD is compelled to created
>>> NLE-based
>>>>> plugins for DaVinci in order to stay competitive.
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@> wrote:
>>>>>>>
>>>>>>> Apparently FilmLight will be previewing BaseLight for Media
>>> Composer at
>>>>>>> NAB...
>>>>>>>
>>>>>
>>> http://www.shootonline.com/go/index.php?name=Release&op=view&id=rs-web4-3484980-1333474257-2
>>>>>>>
>>>>>>> So it exists. We just needed to wish hard enough, and here it is.
>>>>>>>
>>>>>>> Dylan Reeve
>>>>>>> http://dylanreeve.com/
>>>>>>>
>>>>>>>
>>>>>>> On Tue, Apr 3, 2012 at 4:35 AM, haus <switthaus@> wrote:
>>>>>>>
>>>>>>>> **
>>>>>>>>
>>>>>>>>
>>>>>>>> So do they put a new CC in Symphony, MC or both?
>>>>>>>>
>>>>>>>> sw
>>>>>>>>
>>>>>>>>
>>>>>>>> --- In Avid-L2@yahoogroups.com, electropura212 <electropura212@>
>>>>> wrote:
>>>>>>>>>
>>>>>>>>> Avid has been dropping hints that they hear us loud and clear
>>> on
>>>>> color
>>>>>>>>> correction. I don't think they are looking at third party
>>>>> solutions...and
>>>>>>>>> I doubt the AVX architecture could support a plugin as deep as
>>>>> Baselight.
>>>>>>>>> I think we'd have it already if it could.
>>>>>>>>>
>>>>>>>>> J
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> On Monday, April 2, 2012, RobertL wrote:
>>>>>>>>>
>>>>>>>>>> **
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>> I just finished reading this article on the Baselight plug in
>>>>> for FCP
>>>>>>>> 7.
>>>>>>>>>>
>>>>>>>>>> http://vanhurkman.com/wordpress/?p=1721
>>>>>>>>>>
>>>>>>>>>> It seems like a no-brainer that Avid should work with
>>> Filmlight
>>>>> to
>>>>>>>> bring
>>>>>>>>>> this to Media Composer. It would instantly bring MC up to
>>> snuff
>>>>> with
>>>>>>>> modern
>>>>>>>>>> color correction technology. Perhaps they could even find
>>> their
>>>>> way
>>>>>>>> clear
>>>>>>>>>> to have it work in a clip based mode.
>>>>>>>>>>
>>>>>>>>>> Robert Landau
>>>>>>>>>> New Century Films, Inc
>>>>>>>>>> Burbank, CA
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> [Non-text portions of this message have been removed]
>>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> [Non-text portions of this message have been removed]
>>>>>>>
>>>>>>
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>> [Non-text portions of this message have been removed]
>>>>
>>>
>>>
>>>
>>
>>
>> [Non-text portions of this message have been removed]
>>
>
>
>
>
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