I second QC file solutions. The folks at Tektronix have been helpful testing some of my files on Cerify so I can feel okay about signal intergrity but it's a pain in the arse having to ama the exported file and play it through my Tek scope to run an error log. Still it's the only way to be sure it's okay. Just to clarify what do you mean by "On Set Color?" Are you talking about doing color correction on the stage to make sure you've got it and can manipulate it to your needs? What systems are you looking at and do they offer a metadata path to get the "On Stage" look to the post production colorist?
--- In Avid-L2@yahoogroups.com, "jeffsengpiehl" <jeffsengpiehl@...> wrote:
>
> Monitors, transcoding, asset management Playout servers, on set color / dailies
> Routing, infrastructure and file QC solutions
>
> JDS
>
> --- In Avid-L2@yahoogroups.com, "Dave Spraker" <avid@> wrote:
> >
> > Since the big Z isn't around to pose the question, what is everyone looking
> > to see @ NAB this year?
> >
> >
> >
> > Dave Spraker
> >
> >
> >
> > <http://www.advancedbroadcastsolutions.com/> advancedbroadcastsolutions.com
> >
> > <http://www.spraker.tv/> spraker.tv
> >
> > Skype - davespraker
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
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