[Avid-L2] Re: 7D workflow Q

 

Ken,

> ksirul wrote:
> Client shot 7D at 1080p 23.98.
> They are offlining on FCP at DV 29.97.
> Online Conform will be on Avid Symphony at 1080i 59.94.

I hate to say it, but it sounds like a real series of bad choices. Given that's how they want to do it, I think the best idea would be to use the hardware you own to your advantage. Ingest the 7D H264 files into Symphony via AMA into a 1080Psf/23.98 project. Spit out to tape via the Nitris hardware to HDCAM as 1080i/59.94, using the Nitris gear to add 3:2 pulldown. These are now your camera masters. Downconvert DV tapes for the client from the deck and conform from the HDCAM tapes in the future.

- Oliver

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