This has worked for us ONLY when they use continuous ascending TC,
rather than TOD or whatever. Drop the clips into a timelinek, as
suggested, then set the master timeline to match the first clip,
double check the time of each clip against the timeline after that.
Sometimes you have to put a tiny bit of black in there to keep the
clip timecode in sync with the . FWIW - DON'T just play the clip out,
because you'll loose timecode sync- frames will get dropped or
repeated if you're not using 'edit to tape.'
(Surprisingly, the tapes that we've generated this way are actually
more accurate for recapture than original HDCam tapes - given that
HDCam has that nifty old 'time code burp' left over from Digibeta -
that sometimes drops or repeats a frame or field on in-camera edits -
which Avid can be set to ignore- which can accumulate to a serious
offset by the end of a tape)
HTH
----------------------------------------------------
Greg Huson
Secret Headquarters, Inc
Post Production / Production
Culver City, CA
323 677 2092
323 677 2096 F
www.DigitalServiceStation.com
greg (at) SecretHQ.com
www.SecretHQ.com
On Apr 1, 2010, at 11:23 AM, ksirul wrote:
> Client has been cutting from files. They need to deliver tape back
> ups of all sources with source matching tc.
>
> --- In Avid-L2@yahoogroups.com, Shane Ross <comeback@...> wrote:
> >
> > You cannot output clips with their timecode and not the SEQUENCE
> > timecode to tape.
> >
> > Why are you doing this? Kinda making the tapeless workflow not
> > tapeless anymore. And if you do this, why not just output the clips
> > with new timecode, if the tape is going to be your new master?
> >
> > -shane
> >
> > On Apr 1, 2010, at 10:50 AM, ksirul wrote:
> >
> > > This could also happen in FCP if that is a more viable option with
> > > something like the VITC you mentioned.
> > >
> > > KEN
> > >
> > > --- In Avid-L2@yahoogroups.com, "Bouke" <bouke@> wrote:
> > > >
> > > > Not that i know of, but i could make it happen.
> > > > But what exactly are you after? Perhaps there is an easier way
> to
> > > get from A
> > > > to B..
> > > >
> > > > (eg, i just learned that VITC DOES stick in a QT export, it's
> just
> > > a bit
> > > > hidden....)
> > > >
> > > > Bouke
> > > >
> > > > VideoToolShed
> > > > van Oldenbarneveltstraat 33
> > > > 6512 AS NIJMEGEN
> > > > The Netherlands
> > > > +31 24 3553311
> > > > www.videotoolshed.com
> > > > For large files:
> > > > http://dropbox.yousendit.com/BoukeVahl998172
> > > >
> > > > ----- Original Message -----
> > > > From: "ksirul" <kenavid2@>
> > > > To: <Avid-L2@yahoogroups.com>
> > > > Sent: Thursday, April 01, 2010 7:32 PM
> > > > Subject: [Avid-L2] Source TC out of Avid
> > > >
> > > >
> > > > Is there a way with a current MC/Symphony/DS to output the
> SOURCE
> > > TC of
> > > > clips on a timeline through the TC output?
> > > >
> > > > KEN
> > > >
> > >
> > >
> > >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>
[Non-text portions of this message have been removed]
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