shot PAL and I thought 1080/50 was PAL.
Thanks for the compressor tip.
On Mar 30, 2010, at 11:34 AM, Martin Thorbjörnsson wrote:
> I did it on the cheap in Compressor a couple of weeks ago. (It's a
> part of
> the Final Cut Studio suite). It looked good as far as I could see.
>
> By the way. HD is Never PAL. So something like HD/PAL does not
> exist. You
> mean HD 50i, 50p, or 25p. This is because PAL (and NTSC) refers to
> more than
> framerate; resolution amongst others.
>
> Best regards,
> Martin Thorbjörnsson*
>
> +46 73 789 73 42
> kontakta.martin@gmail.com
> *
>
> On Tue, Mar 30, 2010 at 17:05, Lou Wirth <loutv@mindspring.com> wrote:
>
>>
>>
>> I worked on a lengthy project last year in SD/NTSC. The second half
>> of the project was shot this year in Europe, HD/PAL.
>> First Seq I cut as SD/NTSC seq and the second part I cut as 1080/50i
>> Seq.
>> Client wants to marry the two sequences together for final piece.
>>
>> What is the best way to do this and retain as much quality as
>> possible. I brought the 1080/50 sequence in the SD projects and used
>> the MODIFY option to change the format to 30NTSC but it does look a
>> bit soft. In some places, looks terrible.
>>
>> Is there another option for me to bring these two sequences together?
>>
>> thanks
>> Lou
>> Lou Wirth Productions
>> 500Tamal Plaza, Suite 522
>> Corte Madera, CA 94925
>> www.louwirth.com
>> 415-924-9411p
>>
>>
>>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
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> Chile: http://tinyurl.com/y8pgceq
>
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>
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>
>
>
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p
------------------------------------
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