DD
Peter Jay Gould wrote:
>
>
>
> I agree with everything you've said, but that still begs the question: if
> I'm launching a show today, based upon the technology available today,
> what's my best choice, and what's the resulting workflow?
>
> Continuing to think in terms of COPS: they do regular shows and then later
> they do specials that string together previous footage in new arrangements
> (COPS: pursuits, COPS: domestics, COPS: Mardi Gras etc.). We'll have the
> same thing, so all acquired footage has to be available for later use.
> That's why I'm trying to figure out how to do file based workflow and
> where
> the footage lives once it's off the solid state acquisition media.
>
> (To all: thanks for a fascinating discussion on this topic, which has been
> bothering me for quite awhile now).
>
> Pete
>
> [Non-text portions of this message have been removed]
>
>
--
David Dawkins
780-905-9121
dawk2@shaw.ca
[Non-text portions of this message have been removed]
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