Suffice it to say, it was quite impressive. That said, for me, these images were almost completely devoid of any real charm or texture. But then, it's a good thing to be able to have a deep image to work with. From there you can probably do what you want you want with it.
Game changer? Of course not. Good lord, everything these days has to be an earthquake just to justify its existence. Can't we all just calm down, stop counting pixels for a living and concentrate on creating things that actually matter?
David
On Feb 10, 2010, at 9:21 AM, jim turner wrote:
> On top of shipping the Scarlet and Epic, RED is upgrading the sensor
> on RED ONE (starting with legacy customers moving forward). It seems
> to achieve amazing results in low light with no noise.
>
> David Fincher shot some test footage of Leonardo DiCaprio on a RED ONE
> with a Mysterium-X sensor at ISO 2000 and a Master Prime at T 1.3 (or
> slightly stopped down from there). Key light is only a match.). Key
> light is only a match. When the match goes out, Leo's face goes black.
> http://reduser.net/forum/showthread.php?t=39998
>
> RED seems to also be consolidating some of their telecine programs (no
> more REDRushes/REDAlrert). REDCine-X works with the "real-time" RED
> Rocket board (which DS 10.3 supports), is in beta and has some new LUT/
> Color capabilities). The beta can be downloaded here:
>
> http://www.red.com/support/release_history/2196541
>
> And, of course, don't forget that Moviola is offering two RED courses
> including the:
>
> MC315: Digital Cinema: RED, Avid and Beyond
> (taught by Daniel McGilvray, ACSR and J.R. Hughto, ACSR from Runway).
>
> Moviola Digital Education Center
> 1135 N. Mansfield Ave.
> Hollywood, CA 90038
> p. (323) 467-1116
> f. (323) 466-2522
> edu@moviola.com
>
> Follow us on Twitter @MoviolaDigital
>
> [Non-text portions of this message have been removed]
>
>
David Dodson
davidadodson@sbcglobal.net
[Non-text portions of this message have been removed]
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