And of course there will be a time difference due to the slow down.
But nothing visible to the eye if you aint got very long shots.
(and if you have, you can always change the duration of the audio a bit in a
piece of silence).
I'm currently making some more tools to do syncing with Canon cams.
Dual system audio can of course work with LTC on the cam, but that kinda
sucks as the audio input will break down.
You can in fact 'lock' a Canon to a video cam or a BWF recorder, or vice
versa.
(No genlock, but timecode identical)
It won't be as perfect as with LockIt boxes, but it will get you very close.
BUT, for that to work i need some help.
I'm searching a lot of .THM files to analtyze test.
So if someone has a Canon, i would appreciate if you could set it to still
images/burst mode (as fast as possible), shoot a couple of seconds of stills
and mail me the resulting .THM files. (I don't need the images, i'm after
the metadata in the THM's)
I'm about to launch an updated site where i will blog (a bit)
This workflow shall be my first (and probably second) entry.
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
For large files:
http://dropbox.yousendit.com/BoukeVahl998172
----- Original Message -----
From: "Pat" <pat@horridge.org.uk>
To: <Avid-L2@yahoogroups.com>
Sent: Tuesday, January 19, 2010 1:27 PM
Subject: [Avid-L2] Re: Canon D5....
Don't you just bring in the footage frame for frame (ie don't blend or frame
rate convert) and accept the slight slow down?
Syncing audio is an issue of course.
--- In Avid-L2@yahoogroups.com, Tom McDonnell <ltr54@...> wrote:
>
> Well I wasn't hired. The new DIT however did not know the D-5 shot 30fps
> not 29.97. I should have kept my mouth shut. What problem does this
> present for post creating a Panasonic D-5 59.97I master? The show shoots
> on 3Perf 35mm.
>
> TMcD
>
------------------------------------
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