24.000 -> 23.976 or 30.00->29.97. The only slight difference being that MC allows for either 24.000 or 23.976 in SD and HD while the "30" is always the fractional rate of 29.97. The Canon being a 30.00fps camera now has to deal with the .1% workflow to not have frame adjustments ~1000 frames or audio to be in sync.
And everyone in NTSC land thought they could escape the .1% issue! Ha! Oh yeah - HD, the great equalizer was going to solve all of that for us.
Michael
--- In Avid-L2@yahoogroups.com, "Job ter Burg (L2B)" <Job_L2@...> wrote:
>
> "johnrobmoore" (01-01-2010 09:42) :
>
> > My understanding on the Avid side is when the on set audio was recorded at 48K
> > and the film was shot at true 24 when the picture gets telecined at 23.976 the
> > audio then needs to be slowed down when brought into the avid.
>
> That is correct.
> But recording at 48048 on set is a way to make sure that the slowdown
> happens.
>
> I'm confused by your confusion ;-)
>
>
> --
> Job ter Burg
> film editor - NL
>
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