Re: [Avid-L2] Re: OT: The sad state of perceived value of editorial.

And as I implied before, unless you get it in writing, you are out of
luck upon release.

DQS

IAN WILSON wrote:
> I wonder what the editor was paid for Paranormal Activity, budget was
> US$ 11,000 Box office figures today is $106M, see you just never know.
>
> Ian Wilson
> Colortape Productions
> Ian@colortape.tv
> 0418 327 082
> Via iPhone
>
> On 03/12/2009, at 3:14 PM, Frank Capria <frank@kingpininteractive.com>
> wrote:
>
>
>> I'm with Oliver and Shirley. This is like a lot of stuff out there.
>> None of
>> us will ever see the movie.
>>
>> $300 a week because it's mostly done. What's that sign at the auto
>> mechanic's?
>>
>> Our labor rate is $75 an hour.
>> $85 if you watch.
>> $95 if you help.
>>
>> I also love the line about getting consideration for bigger
>> projects. They
>> are probably going to be even more done, so they will be $200 a week.
>>
>> On Wed, Dec 2, 2009 at 6:03 PM, oliverpetersvidy <
>> oliverpeters@oliverpeters.com> wrote:
>>
>>
>>> This really isn't about the perceived value of an editor at all.
>>> Unfortunately this is all too typical of a lot of the stuff
>>> floating around
>>> related to the RED camera. It's one of the things that gives RED
>>> owners a
>>> bad name. What they are really asking for is not only someone to
>>> clean up
>>> the movie, but also to do true finishing, which - on a RED project
>>> - is
>>> pretty daunting if you don't know what you are doing. The bottom
>>> line is
>>> this filmmaker has no money and is trying to dangle the carrot of a
>>> RED
>>> project so someone will bite.
>>>
>>> - Oliver
>>>
>>>
>>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
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>>
>
>
> ------------------------------------
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>
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>

--
Dom Q. Silverio

------------------------------------

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