Sunday, November 22, 2009

[Avid-L2] Re: Mac Smoke Official now new Sheriff in town now DSLR/DSMC?

Least we forget Sony never intended 3/4 inch for broadcast. That was why the industrial units had head switching at 6 and a 1/4 lines up as opposed to the Later BVU standard of 2 and a 1/4 lines.

--- In Avid-L2@yahoogroups.com, "Mark" <markraudonis@...> wrote:
>
> Steve,
>
> I don't understand what you're trying to say.
>
> So, to be clear: We do hours and hours of "reality TV" every week. There are aspects of these productions that could benefit from this camera. It's NOT the day in and day out "run and gun" of a typical reality production, but the ancillary "special stuff" like titles sequences, B-Roll, etc. that would be candidates for use. In the past, where they may have shot film for these kinds of things, these new DSLR's offer an interesting option.
>
> "Not intended"... puhleeze. There's a long history or "not intended" use of various formats over the years. Mini DV was never "intended" as a substitute for 35mm film, but look at all the independents who used it for features. If there's one thing I'm absolutely certain of it's that if a manufacturer creates a product, someone will use it for something "unintended".
>
> Mark
>
> --- In Avid-L2@yahoogroups.com, Steve Mullen <d-v-c@> wrote:
> >
> > "In other words, by the time you spend the buck and effort to make a
> > 7D as ideal for reality TV as any of the HD video cameras out there,
> > what have you gained?"
> >
> > I think you are following a mis-direction from folks talking about
> > "reality" shooting with these cameras.
> >
> > The very essence of these cameras is "non-reality" -- that is a film
> > look. The goal is the "look" that comes from shooting with a
> > relatively large single chip (minimal DOF) that has tens of megapixels
> > (allows high luma and chroma rez after de-bayering) through a lens of
> > your choice -- designed for resolutions much higher than HD resolutions.
> >
> > The "rig" is only necessary for shooting film style (follow-focus)
> > where a rig would be used no matter the camera. However, the rig for
> > these cameras is smaller which has its advantages. Rolling-shutter can
> > be controlled in film shoots. (I'm using a Canon that shoots 720p30
> > and uses a 12MP CCD. So not all have rolling shutter artifacts.)
> >
> > Bottom-line, these are not intended for reality shoots so I'm not sure
> > how this issue even got going. When folks talk about B roll they are
> > thinking of the A camera being film or cine-HD.
> >
> > Mixing film looking video (B roll) with the HD video reality shows are
> > now shooting would not be done unless for a creative effect. For
> > example, shots from "back home" or a preview of the luxury hotel they
> > get to overnight in if the win a challenge. In other words, a non-
> > reality look.
> >
> > PS: Low light shoots might be another use of the large chip camcorders.
> >
> > Best Regards,
> > Steve Mullen
> > d-v-c@
> > DVC
> > www.mindspring.com/~d-v-c
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>


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