Yes, you need to populate the "reel name" in Resolve, which I usually make be the file name minus the file extension and/or also the image number for image sequences.
Then when you export your ALE file and import it into MC that "reel name" will populate as the Tape Name in MC. I've found it crucial to have that Tape Name / Reel Name association to then go back to camera masters in Resolve when you send and AAF back to Resolve.
It's been a while since I've figured that out, so I don't know if there is a fix for it, but maybe you can figure out a way to add the Tape Name to each clip in MC and then set up Resolve to generate the same Reel Name on it's end and it should be able to find it.
Jay
> On Oct 22, 2017, at 4:46 PM, Greg Huson <Greg@SecretHQ.com> wrote:
>
> That's where I'm struggling. Not getting back to Media Composer, but getting resolve to find the correct camera originals.
>
> I may of skipped something critical in creating the dailies - and it's probably more than a hundred hours at this point.
>
> Yet, there's no place to create a tape name, that I can see, when rendering dailies out of resolve. Are you saying I have to make sure the 'reel name' column in resolve is populated before rendering dailies?
>
> In media composer, can I copy the source clip name in the 'tape name' column? currently the 'tape name' is database info like msmMMOB, etc.
>
> What's happening is I'm either getting nothing in my AAF'd sequence after import (relink to source camera files, some of which are in the media pool), or I get anything with a timecode that matches if I disable 'assist using reel names.' Then, I have to rubber-monkey every single shot shot.
>
> This is a big project with DNG source spread out over multiple archive drives, offlined DNx36. Now I'm consolidating in Resolve (media managing) from each Media Archive until I have all the DNG collected onto my fast raid.
>
>
> Any tips appreciated.
>
> gh
> ----------------------------------------------------
> Greg Huson
> Chief
> Secret Headquarters, Inc
> Production / Post Production
> Culver City, CA
> 323 677 2092
> www.SecretHQ.com
> t @SecretHQinc
>
>> On Oct 22, 2017, at 1:59 PM, 'Jay_mahavier@earthlink.net' jay_mahavier@earthlink.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>>
>> The thing I have found critical is what's in the Tape Name column in Resolve for then going to MC offline and then relinking back to the camera masters in Resolve.
>>
>>
>> Jay
>>
>>
>>> On Oct 22, 2017, at 3:52 PM, Bogdan Grigorescu bogdan_grigorescu@yahoo.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>>>
>>>
>>>
>>> DaVinci Resolve to Avid Media Composer Roundtrip Tutorial
>>>
>>> DaVinci Resolve to Avid Media Composer Roundtrip Tutorial
>>> Find out which three pieces of metadata from each clip are important for a successful roundtrip from Blackmagic ...
>>>
>>>
>>>
>>> From: "Greg Huson Greg@SecretHQ.com [Avid-L2]" <Avid-L2@yahoogroups.com>
>>> To: "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
>>> Sent: Sunday, October 22, 2017 12:05 PM
>>> Subject: [Avid-L2] A little help from Resolve > Avid > Resolve Experts
>>>
>>> Hey, Brain-dead on a Sunday afternoon, and I could use a little direct consultation with someone who's expert with Resolve (dailies) to Avid (offline) or Resolve (online) workflow. It's been a tick since I've done this and I'm missing some critical step that's bunging up my conform, and need help seeing the trees through the forest. (Phone / Email / iChat)
>>>
>>> Not finding the exact info I need with google.
>>>
>>> gh
>>> ----------------------------------------------------
>>> Greg Huson
>>> Chief
>>> Secret Headquarters, Inc
>>> Production / Post Production
>>> Culver City, CA
>>> 323 677 2092
>>> www.SecretHQ.com
>>> t @SecretHQinc
>>>
>>>
>>>
>>>
>>>
>>
>>
>>
>
Posted by: "Jay_mahavier@earthlink.net" <Jay_mahavier@earthlink.net>
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