Big +1 for phantom marks.
- Rich
On Sep 8, 2014, at 10:32 AM, Steve Hullfish steve4lists@veralith.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
There is a workaround for this concept:
Use Phantom Marks.If you park on the first frame of the segment in the timeline (instead of randomly within the segment - which is convenient), when you Matchframe, the IN point will automatically be marked (unless you change this intentionally in a setting). If you go to Settings>Composer>Edit Tab, turn on the checkbox for "Phantom Marks." This will then show you the outpoint. So really, the only "workaround" part is to park right on the first frame of the segment. Or park ANYWHERE, hit Mark Clip, then Go To In, then matchframe. A bunch of steps, I know, but in FCP you'd have to do TWO or THREE of the four anyway.With Phantom Marks on, you could also park on the outpoint of the segment in the timeline and the Phantom Mark would show you the in point.I always enable Phantom Marks so that I never have to see that annoying "insufficient source" warning, because I can always see whether I have enough material in the source monitor to cover my in-out in the sequence monitor.Steve Hullfishauthor, "Avid Uncut"On Sep 8, 2014, at 4:32 AM, Roger Shufflebottom rogershuff@yahoo.co.uk [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Pretty certain FCP7 does this . . !
+44 7973 543660On 6 Sep 2014, at 21:48, Benjamin Hershleder Ben@ContactBen.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Additionally, it would be valuable to be able to modify theMatch Frame feature (maybe with Shift+Opt/Alt) so thatwhen the originating clip is loaded into the Source Window,that there are In and Out Marks that represent thebeginning and end of that Segment in the Timeline.
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Posted by: RRF Avid <rrfavid@HotSprocketFilms.com>
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