Forgive my lack of on set experience but I'm curious why there is a need for on set color correction. I understand doing rough edits on set to make sure there is adequate coverage but I thought the look was estabilished by the DP etc... looking at things in the "Video Village" these days. Would on set color correction be a way to determine if something is good enough to be fixed in post? I assume this would be used primarily on controlled sets and not the run and gun style of reality/documentary I usually work with. Time is money so I guess there is value in finding out if you've got it but I find on set color correction sounds like a way to make sure something is good enough whereas I feel like most DPs are trying to make it the best it can be. I'd love to hear from people with some on set chops and how they see this impacting workflows in production.
--- In Avid-L2@yahoogroups.com, "oliverpetersvidy" <oliverpeters@...> wrote:
>
> Guess this means they won't be buying Avid!
>
> http://www.eoshd.com/content/9965/davinci-resolve-10-sighted-on-set-color-correction-and-online-editor
>
> - Oliver
>
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