Re: [Avid-L2] When do we get bigger-than-HD in MC?

As was just said, the tools came from Symphony so the actual moving of
buttons to get color is similar. But the relational thing is gone in DS
(whcih is frustrating), and that has to be done more through copy and
paste. It's harder to bone yourself in DS Color than Symphony, as
everything (for better or worse) is pretty manual.

-G


On Wed, Dec 5, 2012 at 11:52 AM, Steve Hullfish <steve4lists@veralith.com>wrote:

> **
>
>
> I get that completely. I'm not saying that DS and Symphony are equal. The
> question was "If I move from Symphony to DS will the COLOR CORRECTION tools
> be foreign to me?"
>
> That's what I was addressing. What is your take on that as someone who has
> clearly done both?
>
> Not taking into account the other learning curve issues but sticking to a
> Symphony guy doing CC on a DS...
>
>
> Steve Hullfish
> contributor: www.provideocoalition.com
> author: "The Art and Technique of Digital Color Correction"
>
> On Dec 5, 2012, at 1:44 PM, Gus <gustheeditor@gmail.com> wrote:
>
> > I found it extremely painful to switch use Symphony after DS, despite
> bing
> > an MC for years before DS. The tools lost for finishing are all but
> > insurmountable.
> >
> >
> > On Wed, Dec 5, 2012 at 11:06 AM, Steve Hullfish <
> steve4lists@veralith.com>wrote:
> >
> >> **
>
> >>
> >>
> >> I thought that the DS color correction was very similar to Symphony. It
> >> looks different, but it seemed to break down to similar functions in
> >> similar organization... But that's from being a backseat driver of a DS,
> >> not the guy with the wheel in his hands.
> >>
> >> But I do remember saying to the DS guy that he should be able to move
> over
> >> to Symphony easy enough.
> >>
> >> Steve Hullfish
> >> contributor: www.provideocoalition.com
> >> author: "The Art and Technique of Digital Color Correction"
> >>
> >> On Dec 5, 2012, at 12:48 PM, johnrobmoore <bigfish@pacbell.net> wrote:
> >>
> >>> So what you are saying is DS really supports all these somewhat higher
> >> end workflows with DPX and resolution independence, I believe that's
> >> correct but I'm no DS expert. Would it be safe to say that if I were
> >> willing to get out of my symphony comfort zone and buckle down on the
> DS I
> >> could have access to a platform that would cope well in this arena? How
> >> much of a shock would the color correction in DS be for a staunch
> Symphony
> >> colorist? I know it's powerful but does it have any support for the
> >> relational color correction of the symphony workflow?
> >>
> >> [Non-text portions of this message have been removed]
> >>
> >>
> >>
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
>
> >
> > Search the official Complete Avid-L archives at:
> http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
> >
>
>
>


[Non-text portions of this message have been removed]



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