I thought that the DS color correction was very similar to Symphony. It looks different, but it seemed to break down to similar functions in similar organization... But that's from being a backseat driver of a DS, not the guy with the wheel in his hands.
But I do remember saying to the DS guy that he should be able to move over to Symphony easy enough.
Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"
On Dec 5, 2012, at 12:48 PM, johnrobmoore <bigfish@pacbell.net> wrote:
> So what you are saying is DS really supports all these somewhat higher end workflows with DPX and resolution independence, I believe that's correct but I'm no DS expert. Would it be safe to say that if I were willing to get out of my symphony comfort zone and buckle down on the DS I could have access to a platform that would cope well in this arena? How much of a shock would the color correction in DS be for a staunch Symphony colorist? I know it's powerful but does it have any support for the relational color correction of the symphony workflow?
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