Friday, May 23, 2014

Re: [Avid-L2] Color Correction and beyond...

 

Possibly a more relevant question is:  How many people WOULD have bought Baselight -- if Avid's architecture had allowed Baselight to operate with the same powerful features found in Symphony CC.


For many, it would have been a no-brainer:  one application, streamlined workflow, no round-tripping headaches -- and revise until the last minute.

At this point, with Symphony CC being so far behind the curve (pun intended) and Universal Mastering largely irrelevant -- what exactly is the Symphony value proposition?

And, how does Avid differentiate Symphony in the future?   A lot of Media Composer users will be very unhappy if they have to upgrade to Symphony just to achieve resolution independence.



>Mikeparsons.tv
>How many people bought baselight for avid?

__._,_.___

Posted by: blafarm@yahoo.com
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (22)

.

__,_._,___

No comments:

Post a Comment