here's a question: anyone ever compiled a glossary of those terms?
--- In Avid-L2@yahoogroups.com, "paul.hartel" <phartel@...> wrote:
>
> jrm, agree. and who knows. i show up in editing bays and get hit with lingo that has me wondering. not only do you have to keep up with software and hardware changes, but you have to stay adept at understanding all the sots, dots, bites, frankenbites, frankensteinien, and we all know what else. - best, p
>
> --- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@> wrote:
> >
> > I've never heard it used to solely imply a change of the meaning of what someone said just that the bite was cobbled together. Of course cobbling together a sound bite can change the meaning of the "Sound Biter" if that's your intention. Frankenbites can help a stutterer sound more articulate without changing their meaning but perhaps different production groups have adopted their own verbiage. Heck who decided MOS meant "Man On The Street" and not mit out sound or silent. Or OTF "On The Fly" which is a lot like a "Man On The Street." Oh well no BFD. ;-)
> >
> > --- In Avid-L2@yahoogroups.com, "paul.hartel" <phartel@> wrote:
> > >
> > > Actually no: a "Frankenbite" is when you get them to say something they didn't originally say - at least, that's how the producers I've worked with have used it. I think Frankensteining is a totally new creation. No pun intended.
> > >
> > > --- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@> wrote:
> > > >
> > > > The term is usually "FrankenBite or Frankenbiting."
> > > >
> > > > --- In Avid-L2@yahoogroups.com, Roger Shufflebottom <rogershuff@> wrote:
> > > > >
> > > > > I'll go with Steve's suggestion - I've done this for years but never called it Frankensteining!
> > > > >
> > > > > On 27 Jul 2011, at 17:53, Job ter Burg (L2B) wrote:
> > > > >
> > > > > >
> > > > > > PhraseFind and/or Pitch Shift. The latter only works 1 times out of 10.
> > > > > >
> > > > > > On 27 jul 2011, at 18:02, George Loch wrote:
> > > > > >
> > > > > > > I am working on a doc piece right now where the subject has the worse case
> > > > > > > of runon sentences. The writer has requested edits that cut the guy off in
> > > > > > > places where his sentence should have ended but, his intonation is rising.
> > > > > > > How do you folks handle that? I usually just cut at the end of the phrasing
> > > > > > > and extend the shot a little more but, this guy goes on and on.
> > > > > > >
> > > > > > > -gl
> > > > > >
> > > > > >
> > > > >
> > > > > With best wishes,
> > > > > Roger Shufflebottom
> > > > > rogershuff@
> > > > > +44 7973 543 660
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > > [Non-text portions of this message have been removed]
> > > > >
> > > >
> > >
> >
>
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